Sound In Motion 2013: Interview With Pinch
Robert Ellis, better known as Pinch, is an electronic artist whose sound is difficult to pin down. Eschewing the overused and limiting “dubstep” moniker, Pinch traverses reggae, dancehall, world music,…
Sound In Motion 2013: Interview With Stefny Winter
“Good organization, good sound, and good people & tunes; these are the core ingredients of a good music festival,” says Montreal producer and DJ Stefny Winter.
Sound In Motion 2013: Interview With Daniel Bell
Known for his raw and stripped-down take on house and techno, and marathon DJ sets, Daniel Bell is an undisputed legend in the world of underground dance music.
Interview with: Rewind Author Dayv Mattt
When speaking with anyone who experienced Toronto’s rave culture in the late 1990s, the often labeled ‘golden era’ of Toronto’s jungle and drum n’ bass scene always seems to hit…
Interview with: Mutek Programmer Patti Schmidt
Patti Schmidt is currently a programmer at Mutek Montreal, and has been extensively involved in independent music throughout her life. Previously, Patti held a position as the host of now-defunct…
Interview With: Philip Litevsky
Philip Litevsky grew up listening to hip hop, classic rock and electronica, but wasn’t musically gifted. Instead he turned his creative aspirations to visually documenting the Toronto music scene. Attending…
Interview With: Shingo Shimizu
Shingo Shimizu is a graduate of the Ontario College of Art and Design’s Communication and Design program. The Montreal-born, Toronto-bred designer was exposed to drawing at an early age through…
Promoter Profile: Equaria
“We are Equaria, formerly known as We Love Techno. The idea was started by myself (Maziar) and my partner and an old friend Kian, with a vision to expose this…
Interview With: Play De Record
StudioFeed had the opportunity to be guided through a day in the life at Play De Record with co-owner Jason Palma. Jason kindly answered some of StudioFeed’s questions regarding vinyl…
Interview with: Arthur Oskan
As a teenager, Arthur Oskan began immersing himself in a variety of musical styles. In his quest to quench his appetite for synthetic music he eventually purchased his own EPS…